Yalie Saweda Kamara, Ph.D.

Writer, Professor & Poet Laureate Emerita of Cincinnati, Ohio

EMPLOYMENT

Assistant Professor, Department of English Xavier University • Cincinnati, Ohio

August, 2023—Present

EDUCATION

Ph.D., Creative Writing (Poetry) & English Literature, University of Cincinnati, 2022

Dissertion: Besaydoo (poetry manuscript and critical essay)

Director: Professor Jennifer Glaser

Comprehensive Examination Areas: 20th & 21st Century Narrative Poetry of Migration and Exile; 20th & 21st Century Discourses of Migration, Diaspora, and Identity

Comprehensive Examinations Results: High Pass

MFA, Creative Writing (Poetry) Indiana University, 2018

Thesis: Loud Organs and Extraordinary Bones (poetry manuscript)

Director: Professor Ross Gay

M.A., French Culture & Civilization, Middlebury College, 2011

            Thesis (in French): Une Analyse de la légitimation du rap français comme forme d'art dans la société française/ An Analysis

of the Legitimization of French Rap as An Art Form in French Society

            Director: Professor Stéphanie Molinero

            Thesis Coursework Abroad: L'université Paris 1 Panthéon-Sorbonne Paris, France, 2010-2011

 

B.A. Creative Writing (Creative Nonfiction) University of California, Riverside, 2008

B.A. Languages (Portuguese & French) University of California, Riverside, 2008

       Study Abroad:

  • Afro-Brazilian Studies & Portuguese, Associação de Cultura Brasil Estados Unidos, Salvador, Bahia, Brazil, 2005-2006        

  • Humanities & Portuguese, Pontifícia Universidade Católica de Rio de Janeiro, Rio de Janeiro, Brazil, 2006

RESEARCH & TEACHING SPECIALIZATIONS

  • 20th and 21st Century Poetry

  • Community-Based Creative Practice

  • Comparative Literature

  • Hip Hop

  • Material Culture

  • Polyvocality

  • Postcolonial Studies

HONORS

Civic

  • Poet Laureate Reappointment, City of Cincinnati & Mercantile Library, 2024-2025

  • Poet Laureate Appointment, City of Cincinnati & Mercantile Library, 2022-2024

Artistic

  • Finalist, Besaydoo, Maya Angelou Book Award, 2025

  • Winner, Besaydoo, Ohio Book Award (Poetry), Ohioana, 2025

  • Winner, Besaydoo, Ohio Poet of the Year, Ohio Poetry Day Association, 2025

  • Finalist, Besaydoo, Firecracker Literary Award in the category of Poetry, 2025

  • Featured Poem, “Mother’s Rules,” The Slowdown, 2025

  • Winner, Besaydoo, Jake Adam York Poetry Prize, Copper Nickel and Milkweed Editions, 2023

  • Honorable Mention, “Besaydoo” Nina Riggs Poetry Award, Cave Wall Press, 2023

  • Winner, Elizabeth Alexander Creative Writing Award, Meridiansfeminism, race, transnationalism, Smith College, 2023

  • Poet Laureate of Cincinnati, 2022-2024 (two-year term)

  • Featured Artist, Blink, A Festival of Light & Art, Cincinnati, Ohio, 2022

  • Featured Artist, FotoFocus Biennial, Cincinnati, Ohio, 2022

  • Featured Poet, Mayor’s State of the City, Cincinnati, Ohio, 2022

  • Semifinalist, Besaydoo, Cave Canem Poetry Prize, 2021

  • Featured Poem, “Besaydoo,” The Slowdown, 2021

  • Nominee, Best of the Net Anthology, “Besaydoo,” The Adroit Journal, 2021

  • Finalist, Besaydoo, National Poetry Series Competition, 2020

  • Featured Poet, Geraldine R. Dodge Poetry Festival, 2020

  • Nominee, The Pushcart Prize, “When Nina Simone Sings ‘Just Like Tom Thumb’s Blues,” JuxtaProse, 2021

  • Nominee, The Pushcart Prize, “Besaydoo,” (Independent Nomination), The Adroit Journal, 2021

  • Nominee, The Pushcart Prize, “Metaphors for My Two-Step” Callaloo: A Journal of African Diaspora Arts and Letters, 2020

  • Feature, “Woke Africa’s Choice: 21 Best African Writers of the New Generation,” Woke Africa Magazine, 2018

  • Finalist, Brittle Paper Literature Prize for Poetry, 2017

  • Finalist, Brunel University African Poetry Prize, 2017

  • Finalist, “Besaydoo,” Best of Net, 2022

  • Semifinalist, Besaydoo (full-length manuscript), Cave Canem Poetry Prize, 2021

  • Finalist, Besaydoo (full-length manuscript), National Poetry Series Competition, 2020

  • Featured Poet, Geraldine R. Dodge Poetry Festival, 2020

  • Nominee, The Pushcart Prize, “When Nina Simone Sings ‘Just Like Tom Thumb’s Blues,” JuxtaProse, 2021

  • Nominee, The Pushcart Prize, “Besaydoo,” (Independent Nomination), The Adroit Journal, 2021

  • Nominee, The Pushcart Prize, “Metaphors for My Two-Step” Callaloo: A Journal of African Diaspora Arts and Letters, 2020

  • Feature, “Woke Africa’s Choice: 21 Best African Writers of the New Generation,” Woke Africa Magazine, 2018

  • Finalist, Brittle Paper Literature Prize for Poetry, 2017

  • Finalist, Brunel University African Poetry Prize, 2017




Academic

  • Outstanding Faculty Member, Xavier University, 2025

  • Postdoctoral Diversity Fellow, Ithaca College, 2022 (declined)

•  Alice Bird Babb Named Scholar, Philanthropic Educational Organization, 2021-2022 ($20,000)

  • Taft Competitive Dissertation Fellow, University of Cincinnati, 2021-2022 ($20,000)

  • Albert C. Yates Fellow, University of Cincinnati, 2018-2022

  • Recipient, The English-Speaking Union Travel Grant, Cincinnati (declined due to COVID-19), 2020

  • Recipient, Taft Travel Grant, University of Cincinnati, 2019

  • Recipient, College of Arts & Humanities Travel Award, Indiana University, 2017

  • Louise McNutt Fellow, Indiana University, 2015-2016

  • French Graduate Studies Grantee, Middlebury College, 2010-2011




Teaching  

  • Nominee, William C. Boyce Award for Teaching Excellence, University of Cincinnati, 2024

  • Nominee, William C. Boyce Award for Teaching Excellence, University of Cincinnati, 2023

  • Nominee, William C. Boyce Award for Teaching Excellence, University of Cincinnati, 2021

  • Nominee, Darwin T. Turner Scholars 2020 Breakfast of Champion Teacher, University of Cincinnati, 2020

ARTISTIC RESIDENCIES,WORKSHOPS, SCHOLARSHIPS & FELLOWSHIPS

  • Tammis Day Poet in Residence, Smith College, 2026

  • Poet-in-Residence, Thomas More University, 2025-2026

  • Dakin Fellow, Sewanee Writers Conference, Sewanee: The University of the South, 2024

  • Resident, Djerassi Residents Artist Program, 2024

  • Fellow, Academy of American Poets Laureate Fellowship Grant, 2023 ($50,000)

  • Workshop Participant, The Critical Poetics Summer School, Critical Poetics Research Group, Nottingham Trent University, United Kingdom (online), 2021

  • James Merrill Fellow, Vermont Studio Center, 2019

  • Scholarship Recipient, Kenyon Review Writers Workshop, 2019

  • Resident, The Mastheads, 2019 (declined)

  • Resident, Vermont Studio Center, 2018 (declined)

  • Fellow, Callaloo Creative Writing Workshop, University of West Indies, Cave Hill, Barbados, 2017

  • Fellow, Emerging Critics Fellowship, National Book Critics Circle, 2017

  • Don Belton Memorial Scholar, Indiana University Writers Conference, 2016




ARTISTIC COMMISSIONS

o    Poetry:

  • “To the Beloved Youth of Oakland:” GreenLight Fund Bay Area, 2025

  •  “We Are Home,” GreenLight Fund Cincinnati, 2024

  • “And the Word Was God,” Cincinnati Symphony Orchestra, 2024

  •  “A Chant for Access,” Interact for Health, 2023

  • “I Give Praise to the Immigrant,” Cincinnati Compass, 2022

  • “An Ode to the Upstander,” The Nancy and David Wolf Holocaust & Humanity Center, 2022

o    Music (Librettist):

  • “Hear Us Hear Them Anthem,” Hear Us Hear Them Choral Ensemble. Musical score composed and arranged by Danielle Jagelski, Cincinnati, Ohio, 2023

PUBLICATIONS (for links to publications, please click here)

[Forthcoming] 




o    Poetry Anthology Contributions:

  • "A Haiku for the Bus: 54 Fruitvale Bart Station/Merritt College"; "A Haiku for the Train: Ligne 7/ Corneuve-Villejuif" &  "A Haiku for the Train: UC Street/African American Civil War Memorial/Cardozo", Anthology of African American Haiku ed. by Crystal Simone Smith , Blair Publishing, 2027

  • “Besaydoo,” You’ve Been Poemed! ed. by Sandra Feen & Dianne Borsenik, Sheila-Na-Gig Editions, 2026

o    Interviews:

  • “Julie Dash on the 25th Anniversary of Daughters of the Dust,” by Yalie Kamara and Michael T. Martin, Black Camera: An International Film Journal, 2026

  • “On the Representation of Black Women in the Cinematic: Deborah Riley Draper,” by Yalie Kamara and Michael T. Martin, Black Camera: An International Film Journal, 2026

  • “Jessie Maples and Women’s Labors: A Conversation,” by Yalie Kamara and Michael T. Martin, Black Camera: An International Film Journal, 2026




[Published]

o    Poetry Collections:

  •               Full length: Besaydoo (Milkweed Editions, 2024), winner of the 2023 Jake Adam York Prize

•       Selected Recognition:

•       Featured in “Newly Published” Column, New York Times Review of Books (print), 2024

•        Featured in “Reads for the Rest of Us: The Best Poetry of ’23-’24,” Ms. Magazine (digital), 2024

  • Chapbook: A Brief Biography of My Name, included in the 2018 New Generation African Poets Chapbook Box Set: Tano (Akashic Books/ African Poetry Book Fund, 2018)

•               Chapbook: When The Living Sing (Ledge Mule Press, 2017)

o   Edited Anthology:

  • What You Need to Know About Me: An Anthology of Youth Writings on Immigration, edited by Yalie Saweda Kamara (The Hawkins Project, 2022 )

o   Poetry Collections:

  • A Brief Biography of My Name (Akashic Books/African Poetry Book Fund, 2018)

  • When The Living Sing (Ledge Mule Press, 2017)

o   Poetry:

  • “In Vermont: Finding You, Finding Me,” The Colorado Review, 2026

    “It Cries Out to be Touched,” The Colorado Review, 2026

  • “Why I Write,” Conversations on Jesuit Higher Education, 2025

  • “Trim,” Poem-a-Day, Academy of American Poets, 2025

  • “Silencia, You are Free,” Silencia You Are Free, The Mercantile Library, 2025

  • Mother’s Rules,” Poetry Daily (originally published in Vinyl Poetry), 2024

  • “Marshawn,” Prairie Schooner, 2024

  • “Grab Bay, May, 1998,” Copper Nickel, 2023

  • “A Mouthful,” Pleiades: Literature in Context, 2023

  • “During lunch, Ms. Anne says,” and "A Golden Shovel for My Friend Michael," The Journal, 2022

  • “Nia: 100 Blessings,” Post Road, 2022

  • “Unloosed,” World Literature Today, 2022

  • Besaydoo,” Poetry Daily (originally published in Adroit Journal) , 2020

  • “When Nina Simone Sings ‘Just Like Tom Thumb’s Blues,” JuxtaProse, 2020

  • In Our New Home,” and “Souvenir,” The Oxford Review of Books, 2020

  • Wahala,” Southern Indiana Review, 2019

  • Elegy for My Two Step,and “Metaphors for My Two Step,” “In the Year that the Trash Took Itself Out,” Callaloo: A Journal of African Diaspora Arts and Letters, 2019

  • “Pest Control,” Poetry Society of America, 2018

  • “Oakland as Home, Home as Myth,” and “Eating Malombo in Freetown, 1989,” Indiana Public Media, 2018

  • “Soumission Chimique,” Popup Mag, 2017

  •  “New America,” Monster House Press Quarterly, 2017

  • “Haiku Love Letters for Gabby Douglas,” Wusgood.Black, 2016

  • “When I Ask My Brother Jonathan to Write About Oakland, He Describes His Room,” Amazon: Day One, 2016

  • “Rekia and Oscar and All of Their Sky Cousins,” Entropy Mag, 2016

  •  “Mother’s Rules,”Vinyl: Poetry & Prose, 2016

o   Interviews:

  • “Boots Riley on Sorry to Bother You and the Matter of the ‘Good Fight,’" by Michael T. Martin and Yalie Kamara, Black Camera: An International Film Journal, Volume 11, Number 2 (Spring 2020), pp. 176-215

  • “On the Commerce of Intimacy: Dany Laferrière on How to Make Love to a Negro… and Heading South,” by Michael T. Martin and Yalie Kamara, Black Camera: An International Film Journal, Volume 9, Number 1 (Fall 2017), pp. 80-105

o Literary Criticism:

  • “Joy and Pain, Sunshine and Rain, Exploring the Nuances of Janela Pineda’s Lineage of Rain,” Cincinnati Review, 2021

  Fiction:

  • “Your First Set of Seasons” Puerto Del Sol, 2017

  • “Mirror” The Blueshift Journal, 2017

  Creative Nonfiction

  • “Smile,” Being, Belonging and Becoming: An Introduction to Reading and Writing for College, Community College of Vermont, 2009

  Anthology Contributions:

  • “Home,” Don’t Look Now: Essays on What We Wished We’d Never Seen, The Ohio State University   Press, 2020 (Nonfiction)

  • “Le Champ Lexical #1: L’espoir [en 2020 c’est],” Urgencies=Insurgencies. California Poets, Volume One, edited by Forrest Gander, Nomadic Coffee, 2020 (Poetry)

  • A Haiku Love Letter for Gabby Douglas”, Furious Flower: Seeding the Future of African American Poetry, Northwestern University Press, 2020 (Poetry)

  • “Mirror,” Forward: 21st Century Flash Fiction Anthology, Aforementioned Productions, 2019 (Fiction)

o   Translations (French —> English)

  • “Manifesto of Ouagadougou, FESPACO,” Black Camera: An International Film Journal, Volume 12, Number 1 (Fall 2020), pp.479-483

  • “Benoît Ramampy (1947-1996): A Life Dedicated to Cinema” by Karine Blanchon, Black Camera: An International Film Journal, Volume 8, Number 1 (Fall 2016), pp. 84-94

o   Music

  • Lyricist, “A Healing,” poetry/lyrics created for Mourning Jewels, a choral and orchestral dissertation, by Indiana University Jacobs School of Music doctoral candidate Sam Ritter, 2019

  • Vocalist, “Tract for Valerie Solanas,” from Matmos album The Rose Has Teeth in the Mouth of a Beast (Matador Records, 2006)

INVITED PUBLIC SCHOLARSHIP

Invited Interviewer and Conversant, Silas House, Festival Featured Author, Books by the Banks Cincinnati Regional Book Festival, Cincinnati & Hamilton County Public Library, Cincinnati, Ohio, November 15, 2025.

Invited Critical Introduction, Ada Limón, The Science & Nature Lecture: Ada Limón, The Mercantile Library, Cincinnati, Ohio, August 27, 2025.

Invited Critical Introduction, Jesmyn Ward, The Modern Novel Lecture: Jesmyn Ward, The Mercantile Library, Cincinnati Museum Center, Cincinnati, Ohio, October 16, 2024.

Invited Critical Introduction, Hi-Tek, Classical Roots, Cincinnati Symphony Orchestra, Music Hall, Cincinnati, Ohio, April 19, 2024.

Invited Interviewer and Conversant, Percival Everett, Percival Everett: Award-Winning Author of James, National Underground Railroad Freedom Center, presented in partnership with Joseph-Beth Booksellers, Cincinnati, Ohio, March 29, 2024.

Invited Critical Introduction, Siaara Freeman, Black Girlhood; Erotic Womanhood: An Evening with Siaara Freeman, The Mercantile Library, Cincinnati, Ohio, April 25, 2023.

Invited Interviewer and Conversant, Ross Gay, The Hearth & Home Lecture, The Mercantile Library, Cincinnati, Ohio, March 8, 2023.

Invited Interviewer, Conversant, and Moderator, Jaki Shelton Green, An Evening at the Museum with Jaki Shelton Green, National Underground Railroad Freedom Center, presented in partnership with the Cincinnati Symphony Orchestra, Cincinnati, Ohio, April 13, 2022.

TEACHING EXPERIENCE         

Assistant Professor, Department of English, Xavier University, Cincinnati, Ohio

  • African Literature (English 352), Fall, 2026 (cross listed graduate studies course)

  • Literature and the Moral Imagination: Hip-Hop at 50 (English 205), Fall, 2026; Spring, 2026; Spring, 2025; Fall, 2024 & Spring, 2024

  •  Poetry (English 221), Spring, 2026 & Spring, 2025 (cross listed graduate studies course)

  •  Writing Cincinnati (English 316), Fall, 2024

  • Studies of Black Literature (English 128), Fall, 2023

  • Creative Writing: Poetry (English 309) Fall, 2023

Poetry Instructor, Kenyon Review Adult Writers Workshop, Kenyon College, Gambier, Ohio

  • Resident Faculty, Summer, 2026

  •  Online Faculty, Summer, 2025

Adjunct Assistant Professor, Department of English & Comparative Literature, University of Cincinnati, Cincinnati, Ohio

  • World Literature: Sister Cities (English 2022), Fall, 2022

Teaching Assistant, Department of English & Comparative Literature, University of Cincinnati, Cincinnati, Ohio

  • Digital Skills for Arts & Science Majors (Digital Humanities Course) (English 2199), Spring, 2021

Instructor, Department of English and Comparative Literature, University of Cincinnati, Cincinnati, Ohio

  • Music and Poetry: Rap (English 3032), Fall, 2020

  • Introduction to Poetry (English 2017), Fall, 2019

  • English Composition (English 1001), Fall, 2018 & Spring, 2019

Instructor, Department of English, Indiana University, Bloomington, Indiana

  • “Poetry and the Archives of Empathy,” Intermediate Poetry (English W203), Spring, 2018

Associate Instructor, Department of English, Indiana University, Bloomington, Indiana

  • Introduction to Creative Writing, Poetry and Fiction (English W103), Fall, 2017, Spring, 2016, & Fall, 2015

Instructor, Youth Speaks, San Francisco, California

  • Queeriosity Poetry Workshop, 2012

English Language Lecturer, Department of English, L’université Blaise Pascal, Clermont-Ferrand, Auvergne, France

  • English for Undergraduate Business Students, Spring 2010 & Fall, 2009

  • English for Undergraduate Humanities Students, Spring 2010 & Fall, 2009

  • English for Undergraduate Science Students, Spring 2010 & Fall, 2009

  • English for Graduate Math Students, Fall, 2009

  • English for Undergraduate Foreign Science Students, Fall, 2009

English Language Assistant, Department of English, Le Collège et Le Lycée Blaise Pascal, Clermont-Ferrand, Auvergne, France

  • Advanced English for High School Students, Spring 2009 & Fall, 2008

  • Intermediate English for Middle School Students, Spring 2009 & Fall, 2008

  • Beginning English for Middle School Students, Spring 2009 & Fall, 2008

  • Advanced English for Middle School Students, Spring 2009 & Fall, 2008

  • Intermediate English for Middle School Students, Spring 2009 & Fall, 2008

  • Beginning English for Middle School Students, Spring 2009 & Fall, 2008

  • English for High School Students, Spring 2009 & Fall, 2008

RESEARCH & EDITORIAL EXPERIENCE

  • Research Associate, Black Camera: An International Film Journal, Indiana University, Bloomington, Indiana, 2021-Present

  • Executive Editor, What You Need to Know About Me: An Anthology of Youth Writings on Immigration, The Hawkins Project, San Francisco, Ca., 2018-Present

  • Research Assistant & Assistant Editor, Black Camera: An International Film Journal, Indiana University, Bloomington, Indiana, Fall, 2016-Spring, 2021

  • Researcher, Unstitching the Past: A Digital Humanities Approach to Uncovering the Historical and Contemporary Relevance of the Kabaslot, Supervisor: Professor James Lee, Digital Scholarship Center, Department of English and Comparative Literature, University of Cincinnati, Cincinnati, Ohio, Spring, 2020

  • Research Assistant, Black Film Center/Archive (BFC/A), The Media School, Indiana University, Bloomington, Indiana, Spring, 2016—Fall, 2017

  • Research Assistant, Invoking the Caribbean: Caribbean Theatre in the United States, Supervisor: Professor Vivian Halloran, American Studies Department, Indiana University, Bloomington, Indiana, Fall, 2017

CONFERENCES

  • Panelist, “A certain me is desirable”: Bob Kaufman Turns 101,” New Orleans Poetry Festival, New Orleans, Louisiana, 2026

  • Panelist, “Panel on Literary Publishing,” The In Print Festival of First Books, Ball State University, Muncie, Indiana, 2026

  • Panelist, Polyvocality: Collective Writing Experiments, NonfictionNOW Conference, University of Notre Dame, 2025, (declined)

  • Panelist, Women Reclaim the Page: Generative Writing to Beat Burnout, Association of Writers & Writing Programs (AWP), Kansas City, Missouri, 2024

  • Panelist, Ten Years of the APBF: African Women Poets in The U.S. and Their Publication Journeys, Association of Writers & Writing Programs (AWP), Kansas City, Missouri, 2024

  • Panelist, Meridians: feminism, race, transnationalism Roundtable, Dissident Feminisms: The Inaugural bell hooks Symposium, Berea College, Berea, Kentucky, 2023

  • Panelist, The Power of Literary Citizenship, National Federation of State Poetry Societies (NFSPS) Convention, Columbus, Ohio, 2022

  • Panelist, Loss, Memory, Transformation: Women Poets and the Elegy, Association of Writers & Writing Programs (AWP), Virtual, 2021

  • Panelist, Dressing as Diasporic Identity: European and North American Perspectives on the Kabaslot, “Black In/Visibilities Contested," The Afroeuropeans Conference, Lisbon, Portugal, 2019

  • Panelist, Linguistic Crossings: Creative Writing in English Language Acquisition, Multi-Ethnic Literature of the United States (MELUS) Conference, University of Cincinnati, Cincinnati, Ohio, 2019

  • Moderator, “Puerto Rican Migrations, A Hundred Years of Migration (1917-2017): ‘Stories of Caribbean Exile and Diaspora,’” Indiana University, Bloomington, Indiana, 2017

DEPARTMENTAL SERVICE

  • Member, Africana Studies Program Advisory Board, Xavier University, 2025-present

  • Member, Creative Writing Program Advisory Board, Xavier University, 2024-present

  • Committee Member, Arts and Sciences Dean’s 21st Century Task Force, College of Arts and Sciences, University of Cincinnati, 2020

  • Co-organizer, “Where I’m From: WordPlay Cincy/Aiken New Technical High School Day of Poetry,” University of Cincinnati, 2019

  • Co-chair, Creative Writing MFA Student Recruitment Weekend, Department of English, Indiana University, 2016-2018

Service to the profession

Board & Advisory Roles:

  • Board Member, The Mercantile Library, 2025-present

  • Creative Writing Advisory Board Member, Meridians: feminism, race, transnationalism, Smith College, 2023-2026

Prize & Award Selections:

  • Member, Elizabeth Alexander Creative Writing Award Jury, Meridians: feminism, race, transnationalism, Smith College, 2026-present

  • Judge, Smith College High School Poetry Prize, Smith College, 2025-2026

  •  Member, Poet Laureate Selection Advisory Board Committee, Mercantile Library & City of Cincinnati, 2025-present

  • Judge, Thomas More University Writer-in-Residence Award of Excellence, Thomas More University Poetry, 2024-2025

  • Judge, Old Dominion University Prize, Academy of American Poets, 2024-2025

Editorial Consultancy:

  •  Editorial Consultant, African Poetry Book Fund, Brown University, 2024-present

  • Thesis Consultant, “Yele, What Do You Want to Be?”, children’s book by Ana Luize Ferreira, Federal University of Paraná, Brazil, 2025

Select Blurbs & Endorsements:

  • Blurb for 20.35 Africa: Anthology of Contemporary Poetry Vol. IX, ed. by Akosua Zimba Afiriyie-Hwedie and Antony Fangary, 2026

  • Blurb for Blood-Flex, by Ajanaé Dawkins, New Delta Review, 2025

  • Blurb for Picking Scabs from the Body History by Joanne Godley, Poetry Box, 2020

PROFESSIONAL AFFILIATIONS

  • Ohio Poetry Association, 2022-present

  • Critical Poetics Research Group, Nottingham Trent University, UK, 2020-present

  • Krio Descendants Union, USA, 2018-present

  • Association of Writers & Writing Programs (AWP), 2017-present

LANGUAGE PROFICIENCY

  • English: Fluent

  • French: Fluent

  • Krio: Fluent

  • Portuguese: Reading knowledge

 

REFERENCES & PDF VERSION OF CV AVAILABLE UPON REQUEST